Here's the second in my deli paper print series. Much the same as the first but I forgot the white layer.
I've been called to work on the horizon composition style again. Here's an in-progress shot and a maybe-it's-finished shot.
Acrylics, graphite pencil, collage papers
I've been making progress on my series this week. The pieces started with acrylic paints and then I added some collage papers.
Then I used either graphite or Stabilo All pencil to define some rough, mostly rectangular shapes.
I used some hand-carved stamps with permanent ink.
I defined a few areas with white paint and painted over with a contrasting yellow green, and added blue violet accents.
I added some more white and have been tweaking some areas. I'm not sure if I'm done, but I've started another series!
A month has flown by since I posted last. Incredible. I've always kept the holiday hubbub to a minimum, but I've been investing energy in plenty of other places and suddenly the end of the year is nigh.
I've been spending time in the studio–some of it cleaning!–mostly on experiments and not so many finished pieces. I've got pieces from all the Text & Image lessons, just nothing to the point it feels ready to put out there. And some of them are lost in the piles I've been moving around, along with a couple of other things I'm looking for. Sigh.
I did work more on one lesson 3 piece at Jane's suggestion, and toned it down. You can see the previous stage in an earlier post. Definitely less overpowering. I think it still may not be done but here's the next stage:
I have found things while cleaning the studio, too, one of which has triggered some experiments I'm pretty lit up about. I also found my box of Secondary Color Canvas pieces, so I'm committed to doing some serious work on that project in the coming months. I think it's a good idea to go into a new year with intentions rather than resolutions. In fact, 'Intention' is my word for 2014. One of my intentions is to put my word for the year 'out there' more, so here's a start!
I got the glue gun stencil idea from Jane Davies, who got it from Tracy Bautista. I used mine over Gelli prints to start, using Dylusions sprays. Lots more experimenting to be done!
Here's a piece of 'mop up' paper from Gelli printmaking that I used to mop up the excess spray on the stencils. That Dylusions goes on and on. This may be my favorite piece so far. The lighter acrylic paint makes a nice resist.
Okay, Lesson 2 at last. My Golden gel and matte mediums always seem too dry and stiff for image transfer so I tried using Utrecht matte medium and I like it better; the transfers are a bit thinner and stretchier than with Golden but they're smoother and less likely to crack.
Here's my first piece. This is an image from a Dover royalty-free CD. I call her 'The Frenchwoman' because she reminds me of a figure from a Seurat painting, so I went with an impressionist feel. The background text is all in French. I found the headline on the right in a Montreal newspaper; it translates as “How does one manage artists?”, which gave me a chuckle.
The one below is me at about 3 or 4. All the background text is from a 1968 Jack and Jill magazine–but don't let me date myself…I was trying to go with a kind of childlike painting technique. Not sure I like it but the colors are good.