Not much going on down in the studio these days. Too hot! I did manage to work on this spread in stages, based on one of Donna Downey's recent Inspiration Wednesday videos. I started off exactly like she did, with Tim Holtz tissue paper and joint compound (not plaster), with acrylic paint over. Then I decided to use some batik flowers I cut ages ago with the Alterations Tattered Floral die (I think) and buttons. I used a Stabilo All pencil for the stems but it bled onto some of the flowers. In the words of Dina Wakely, oops, oh well. I like how they look otherwise. I colored in the leaves a bit with Neocolor crayons and glued buttons down as centers. Some Donna Downey stamps and Neocolor crayon around the edge to finish. Be sure to seal the joint compound when it dries or it rubs off quite easily and loses all the interesting texture. Kind of a ho-hum design but I was done looking at the background and wanted to move on. And get out of the heat. Rather than be bold, I just did what made me happy at the time. <snark>
I've started another spread in a bigger journal using the same technique but I had to come up for air. And I have no idea where it's going, either.
Moose said that as long as I was cutting up his muslin (see previous post) I should try some gesso experiments. I've used gesso as a resist on all kinds of paper but never on fabric and it seems like less effort than batik. 🙂 I'm also still working on that wonderful blending of orange, green and purple that I like to call 'octarine' (a la Terry Pratchett). All of this is in aid of a future project that gets more massive the longer I plan. I should stop planning and just do it, but this experimentation really is part of it. Really. Really!
Anyway, I started by tinting plain, rather thick white gesso with a little Naples Yellow Golden fluid acrylic because I didn't want stark contrast and I wasn't sure how much it would be stained by the sprays. Turns out I could have used more tint, but it's okay. Then I used a palette knife to scrape it through a couple of stencils and 'freehand' onto the muslin. My gesso is thick enough and the layer I scraped on was thin enough that I didn't have any problems with seeping under the stencils or pooling and sticking to my work surface, but I did this on waxed paper just in case.
I let the gesso dry completely and wet the fabric with a mister until it was wet but not soaked. I used dye sprays, orange Colorwash and crushed grape and dirty martini Dylusions. Yes, I know Dylusions aren't meant for fabric, but they're what I had in the colors I wanted. I'm not going to wear this or wash it.
The purple stained the gesso most, then the orange, and the green almost not at all. I let this dry completely and decided the purple wasn't dark enough. There were also some pink and blue places that, although cool, were not what I wanted.
So here the final product.
As cool as this is, I think I may like the back better! The gesso didn't permeate the fabric completely so the contrast isn't as great but the texture is still there.
Another shot of the back. The gesso makes a slight relief here:
There's some nice blending in here. Not as nice as on watercolor paper, but nice enough. I think I might try it on linen if I can find some. That's for another day, however. Seems we get one nice day out of this holiday weekend, and I'm going out to enjoy what's left of it!
I started these last weekend and gradually got them finished. Had I known the weather this weekend would be so lousy, I would have just waited and finished them this weekend.
These are just bleached and unbleached muslin. For this experiment, I wanted to see if wetting the fabric made a difference, and my canvas doesn't absorb water well (it's actually a canvas drop cloth so that makes sense). I wanted to use the secondary colors, and there's a a fine line between getting a great blending of those colors and getting, well, baby-poop brown.
So I tried dry, spot wetting with a mister, and soaking and wringing. You can tell which is which on the samples by the amount of wrinkling. Once again, I started with a layer of acrylic and fabric medium at 1:1 but subsequent layers are just paint. I used two shades of each color on each layer. There's less blending than I expected even with the soaked fabric.
Here's a spot-wet (love this Balzer Designs stencil! i have both sizes; this is the 12 x 12) and below is a three-layer spot-wet piece:
Here are some of the soaked pieces:
The pieces I started with orange have a solid layer of paint:fabric medium.
I like these but I'm probably going to have to use dyes on the fabric first to get the level of blending I want, then maybe one layer of paint stenciled on top. The forecast is for rain for the rest of the long weekend, so that's next!
Some experiments with Gelli printing using stencils on fabrics this time. I used unprimed canvas pieces and bleached and unbleached muslin. I left the fabrics dry; I might try wet for a different look next time. This wasn't really any messier than using paper, surprisingly. I kept the paint layers fairly thin. I started out mixing the paints with fabric medium 1:1, but I decided that because I won't be washing the pieces, there wasn't any reason for it. I think the stencils with the most open spaces worked best.
Remember these pages? They’re in my Donna Downey canvas journal. I did the background some time ago using Pan Pastels. It sat for a while as I’ve been collecting embellishments and frankly, doing a lot of other things. I’m much better at making backgrounds than finishing spreads. The tea bag envelopes are part of my collection from our Minnesota trip. I love the colors and matte texture of the Stash envelopes almost as we’ll as the tea!
I used fabric sprays on a piece of bleached muslin. Yes, I’ve added fluorescents to my repertoire. My, how quickly things dry out in the sun this time of year! I liked the front, but I may like the back even better.
Here’s the back: