Journal page with a Daniel Torrente stamp and Dyan Reaveley Say It How It Is stamp. All the same as the previous page but some washi tape and watercolor crayons over, and a bit of journaling. Can't get a great photo but the colors are close.
This is my entry for the latest Fall Fearless & Fly challenge. When I read the prompts and looked at the guest artist entry, the phrase “safe as houses” came to mind and wouldn’t leave! I even found myself looking up the etymology of the phrase (old English majors will recognize this trait). Meanwhile, I prepped the page with gesso and cut a stencil from a cereal box (love to use cereal boxes for all kinds of cheapy recycled art). Instead of spraying around it, though, I decided to roll the paint onto the stencil with a brayer, making it a stamp. The look was very interesting; anything but safe! I glued down some text from chipboard letters and used a fluid acrylic paint splot-and-spray technique I saw on Donna Downey’s blog and did a little ‘drippage’.
It seems as I grow older, that security is more important to me as I realize how illusory it can be. Money and health issues, natural disasters can all deal blows to feelings of security and safety. I know that when I don’t feel secure, my creativity suffers.
Here’s the second of my pages using my new Stampotique stamps. This is on the page facing the one in my last post and is done the same way except I stamped onto the page and used a white poster paint pen for subtle accents. I also stamped the words and bat moon (Clearstamps) and then lifted the color off inside the moon with a waterbrush. I can see I’m going to have to try this technique with different base and spray colors.
I was doing some experimenting with Colorwash and Dylusions sprays together in my new art journal. I wet the pages first and then used yellow Dylusions and red and orange Colorwash, then heat set. Loved the look-so then what? I cut up some romaine lettuce for my lunch salad and was reminded what a great stamp the core makes. I used a little cobalt teal acrylic paint I had left on the palette–and I mean a little–and sponged it onto the core. I like how there’s contrast but it doesn’t dominate the spread. I got seriously carried away with the masking and washi tapes, though, and the whole spread became a kind of experiment.
I’m going to link this with the Art Journal Cafe challenge Anything Can Be a Stamp–what great timing!