I created this journal from Gelli prints as something I could take on vacation with me–and something to use all those Gelli prints!
I cut every 9 x 12 print in four 3 x 9 pieces and used the Rubi-Coil to bind them. Not sure how the cover came about other than an excess of white spray paint that then dried and stuck the stencil I was using to the paper, requiring some tearing to remove it. I like the texture.
I'm planning to use this in both horizontal and vertical formats. If I can bring myself to do anything, that is. Some of the prints are pretty cool as they are!
I got the glue gun stencil idea from Jane Davies, who got it from Tracy Bautista. I used mine over Gelli prints to start, using Dylusions sprays. Lots more experimenting to be done!
Here's a piece of 'mop up' paper from Gelli printmaking that I used to mop up the excess spray on the stencils. That Dylusions goes on and on. This may be my favorite piece so far. The lighter acrylic paint makes a nice resist.
I started these last weekend and gradually got them finished. Had I known the weather this weekend would be so lousy, I would have just waited and finished them this weekend.
These are just bleached and unbleached muslin. For this experiment, I wanted to see if wetting the fabric made a difference, and my canvas doesn't absorb water well (it's actually a canvas drop cloth so that makes sense). I wanted to use the secondary colors, and there's a a fine line between getting a great blending of those colors and getting, well, baby-poop brown.
So I tried dry, spot wetting with a mister, and soaking and wringing. You can tell which is which on the samples by the amount of wrinkling. Once again, I started with a layer of acrylic and fabric medium at 1:1 but subsequent layers are just paint. I used two shades of each color on each layer. There's less blending than I expected even with the soaked fabric.
Here's a spot-wet (love this Balzer Designs stencil! i have both sizes; this is the 12 x 12) and below is a three-layer spot-wet piece:
Here are some of the soaked pieces:
The pieces I started with orange have a solid layer of paint:fabric medium.
I like these but I'm probably going to have to use dyes on the fabric first to get the level of blending I want, then maybe one layer of paint stenciled on top. The forecast is for rain for the rest of the long weekend, so that's next!
Some experiments with Gelli printing using stencils on fabrics this time. I used unprimed canvas pieces and bleached and unbleached muslin. I left the fabrics dry; I might try wet for a different look next time. This wasn't really any messier than using paper, surprisingly. I kept the paint layers fairly thin. I started out mixing the paints with fabric medium 1:1, but I decided that because I won't be washing the pieces, there wasn't any reason for it. I think the stencils with the most open spaces worked best.
Finished! I think. At least I'm far enough along that I can hold it in my hands and leaf through the pages. I may string some beads on the spine cords if I can find some beads I like. There are 14 signatures and the cover is acrylic-painted anaglypta wallpaper. I wanted to make a true softcover book with just the wallpaper but decided that I'd need a little more strength so I used pieces of a cereal box. I got the idea for the spine from a YouTube video–don't remember whose–when I was looking for tape binding tutorials.
Some of the prints can stand as is and some are dying for embellishment. I imagine this as an art journal with only some pages used for journaling. I used LOTS of commercial stencils and masks and some of my own made with commercial hand-cuts and die-cuts. These are mainly Gelli plate and gelatin prints but some are spray-paint stencil prints I made last weekend. I may do some more of these if our weekend is as nice as its supposed to be.