Tag Archives: Jane Davies

WIPs with drips

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I got started working big again, this time with drip backgrounds like I'd started at the Abstract in VT workshop with Jane in 2015. One of these actually IS a Big Fat Art piece from that workshop and the other two are painting to music loosening up pieces for this summer's workshop. All are on cheap drawing paper. What I've learned from working on these so far is that I want to do more big pieces, and I want to get more texture. Ergo, I'm going to start some on heavyweight Stonehenge printmaking paper and 20×24 canvas. Time to start thinking about winter projects!

BFA piece. Who knows what's under all that…going for a sort of street art-graffiti look here

These three started as a series riffing off the first one. The plan was to use a similar color scheme over the drip backgrounds.

This one is going to get a lot of that turquoise covered with black…

I don't know exactly where this one is going, but I love the top!

 

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Yet more fun with Jane: Abstract Painting in Vermont 2016

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This year, Jane Davies held her week-long Abstract Painting in Vermont workshop in the Manchester Community Library. It is a great space, with lots of light and room to work, and climate controlled, which was a blessing this summer. Early August was beastly humid.

 

We had great fun with shapes (meltdowns notwithstanding) and pattern and throwing monkey wrenches into the works.

It was great to stretch the creative muscles and hone observational skills, and just spend the whole week flinging paint and seeing what would happen. Here are some of my pieces, the last of which I think it's finished.

 

 

Fun with Jane: Abstract Painting in Vermont 2015

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For the third year in a row I attended Jane Davies' week-long art retreat in southern Vermont. Despite some seriously hot weather, it was a great week and I feel like I accomplished a lot.

 

We were in the Rupert firehouse, as usual. They even had a call one day while we were at lunch!

 

We were working in series, starting with certain parameters and adding a few variables. I decided one of my parameters would be neutrals.

 

 

Somehow, this one got to look like Hello Kitty! I haven't had the hear to work it over yet. LOL

 

 

 

 

I'm happy with where this work is going. Nothing finished yet, but well on its way.

I'm really excited about the work I did from an inspiration piece:

 

 

 

 

 

 

 

 

I've got about two dozen pieces in various stages, and I feel like I have a year's worth of inspiration and direction. Another excellent artful week with Jane and the girls!

 

Continuing journey

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A week ago, I was driving home from Rupert, VT, just having finished my second Collage Journeys workshop with Jane Davies. It's an intense five days (three full days and two half days) but an absolute gold mine of inspiration and direction. Jane is a great teacher and I've learned a ton both years. The theme was working in series, and we had several series in the works by the end of the week.

Here's the venue, the Rupert firehouse, and Jane dispensing pearls of wisdom during a break.

Here are a few of my 4x4s, all works in progress (they aren't busy enough yet!)

 

Here are a couple of cruciform studies. These are probably busy enough, but also not finished.

 

I have lots of stuff to work on and more directions to take. Such a great time!

 

Next stages, next series

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Here's this series

with white and black added.

 

Here's the third series I started, with warmer colors. I'm thinking these will get a cool color accent somewhere in the process…

 

And here's a fourth series using a darker, warm gray to start:

 

That I had to brighten up. I also used white around the edges for some quiet space.

Not sure where any of these are going next, but I'm having fun!

 

Deli paper print abstract series 1

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I was inspired by Jane Davies' video using deli paper prints as a way to start paintings, so much so that I've got three series going now. Here in the first, I use cheap acrylic in a celedon (I think mine is Italian Sage) like Jane did.

I've always liked the combination of celedon, dark blue, and purple, so I used it here with Indian yellow hue, which I really like as contrast.

 

I'm not sure where these are going but I feel like leaving them fairly 'rough'.

 

Lost, found, and reworked

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A month has flown by since I posted last. Incredible. I've always kept the holiday hubbub to a minimum, but I've been investing energy in plenty of other places and suddenly the end of the year is nigh.

I've been spending time in the studio–some of it cleaning!–mostly on experiments and not so many finished pieces. I've got pieces from all the Text & Image lessons, just nothing to the point it feels ready to put out there. And some of them are lost in the piles I've been moving around, along with a couple of other things I'm looking for. Sigh.

I did work more on one lesson 3 piece at Jane's suggestion, and toned it down. You can see the previous stage in an earlier post. Definitely less overpowering. I think it still may not be done but here's the next stage:

I have found things while cleaning the studio, too, one of which has triggered some experiments I'm pretty lit up about. I also found my box of Secondary Color Canvas pieces, so I'm committed to doing some serious work on that project in the coming months. I think it's a good idea to go into a new year with intentions rather than resolutions. In fact, 'Intention' is my word for 2014. One of my intentions is to put my word for the year 'out there' more, so here's a start!

 

Glue gun stencils and Gelli prints

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I got the glue gun stencil idea from Jane Davies, who got it from Tracy Bautista. I used mine over Gelli prints to start, using Dylusions sprays. Lots more experimenting to be done!

 

Here's a piece of 'mop up' paper from Gelli printmaking that I used to mop up the excess spray on the stencils. That Dylusions goes on and on. This may be my favorite piece so far. The lighter acrylic paint makes a nice resist.

 

 

Lesson 2-Text and image

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Okay, Lesson 2 at last. My Golden gel and matte mediums always seem too dry and stiff for image transfer so I tried using Utrecht matte medium and I like it better; the transfers are a bit thinner and stretchier than with Golden but they're smoother and less likely to crack.

Here's my first piece. This is an image from a Dover royalty-free CD. I call her 'The Frenchwoman' because she reminds me of a figure from a Seurat painting, so I went with an impressionist feel. The background text is all in French. I found the headline on the right in a Montreal newspaper; it translates as “How does one manage artists?”, which gave me a chuckle.

The one below is me at about 3 or 4. All the background text is from a 1968 Jack and Jill magazine–but don't let me date myself…I was trying to go with a kind of childlike painting technique. Not sure I like it but the colors are good.

 

More color collages

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Here are three collages for a lesson in Jane Davies' color online class. The first is the monochrome:

I used green blue and blue in this, as well as black and white, and the partly hidden letters are blue neutralized with orange. Mostly paint with a bit of cut paper and some doodling with watercolor crayon.

Here's an analogous piece:

This started with a green blue background and then a green and yellow green island appeared. All paint. I think I'll add some even lighter tints to the 'island' although this isn't as dark in real life as it appears.

And here's a complementary collage. I had a hard time finishing this one. The pinkish circles were bright red violet to start but that seemed too intense (even for me) so I knocked them back and now…they need something. Texture? Fine detail? So this is probably NOT finished!