I created this journal from Gelli prints as something I could take on vacation with me–and something to use all those Gelli prints!
I cut every 9 x 12 print in four 3 x 9 pieces and used the Rubi-Coil to bind them. Not sure how the cover came about other than an excess of white spray paint that then dried and stuck the stencil I was using to the paper, requiring some tearing to remove it. I like the texture.
I'm planning to use this in both horizontal and vertical formats. If I can bring myself to do anything, that is. Some of the prints are pretty cool as they are!
I started these last weekend and gradually got them finished. Had I known the weather this weekend would be so lousy, I would have just waited and finished them this weekend.
These are just bleached and unbleached muslin. For this experiment, I wanted to see if wetting the fabric made a difference, and my canvas doesn't absorb water well (it's actually a canvas drop cloth so that makes sense). I wanted to use the secondary colors, and there's a a fine line between getting a great blending of those colors and getting, well, baby-poop brown.
So I tried dry, spot wetting with a mister, and soaking and wringing. You can tell which is which on the samples by the amount of wrinkling. Once again, I started with a layer of acrylic and fabric medium at 1:1 but subsequent layers are just paint. I used two shades of each color on each layer. There's less blending than I expected even with the soaked fabric.
Here's a spot-wet (love this Balzer Designs stencil! i have both sizes; this is the 12 x 12) and below is a three-layer spot-wet piece:
Here are some of the soaked pieces:
The pieces I started with orange have a solid layer of paint:fabric medium.
I like these but I'm probably going to have to use dyes on the fabric first to get the level of blending I want, then maybe one layer of paint stenciled on top. The forecast is for rain for the rest of the long weekend, so that's next!
Journal page with a Daniel Torrente stamp and Dyan Reaveley Say It How It Is stamp. All the same as the previous page but some washi tape and watercolor crayons over, and a bit of journaling. Can't get a great photo but the colors are close.
When I thought I’d have to abandon the first black and white pages I’d started for the Fall Fearless & Fly challenge, I started over. I like what I did on the first attempt:
but I haven’t figured out how to finish it, and it isn’t exactly JUST black and white. So I used the same Balzer Designs stencil from Crafters Workshop with white acrylic paint. This time I sprayed black Dylusions in a few spots and wiped the spray off in a circular motion. This created a two-tone effect and also gave a kind of pebbled effect where there was overspray. I carefully wiped some of the overspray off to make areas whiter
And the circular sprayed areas have a sort of ‘cut away’ look, even though the black is on top of the white. Strangely, the black has different hues on different parts of the page although I didn’t use anything but black and white on this page. I liked the baxkground as it was and finished with a Donna Downey tag stamped with one of her Unity stamps and some black masking tape for a border.
I’ve been struggling to use black and white in the latest Fall Fearless & Flychallenge. JUST black and white. Look back at what I’ve been doing and you’ll get some idea how hard it’s been. I admit to ‘cheating’ at first. If you look at the background of this page, you’ll see some shades of red peeking through. I slapped myself around and covered it up, though! 🙂 This started as a lot of journaling with a black Pitt pen on blank pages (during the storm when I was worried about what was coming and whether we’d lose power) and then I swabbed black paint through a stencil. Then I sprayed with yellow and red dye sprays, which I then covered up with black spray. I liked the ‘jacquard’ look this gave to the background. After I let that dry completely, I splattered white acrylic ink and let that dry. When I brushed on a thin layer of Collage Pauge, some of the dye lifted and gave the background a vintage look. The page languished for a while, then I decided on shapes cut out of book pages and some plain old masking tape to finish.
Here’s the facing page to the one in the last post. Same stencil but with gesso and then acrylics and sprays over it. I consider this ochre and Not Yellow. 😉 Love my Day of the Dead book and image CD from Dover Books! I have several of their copyright-free images books and CDs. I see they’re doing collage sheets now. Woohoo!
Our piece of VT came through the storm just fine; thanks to everyone for your concern! Keeping those not so fortunate to the south of us in thoughts and prayers.
Starting a new art journal. I decided to try the Strathmore hardcover watercolor journal as a change from the spiral bound Visual journals I’ve been using. We’ll see how it stands up to all the sprays I use. This is a page where I used gesso and acrylic paint as the first layer, scratched through it, and then sprayed over it with dark blue and black. I journaled a bit with a paint pen then sprayed through a Crafters Workshop stencil. The leaves were cut out of acrylic-painted paper I made ages ago.
This canvas panel started with a piece of copy paper that I used to sop up overspray on something. I thought it was too cool to pitch so I stamped one of the butterflies (Balzer Designs from Impression Obsession) in my new stamp set onto it with VersaFine black, tore out the part I wanted to use and glued it to a canvas panel. I used the stencils that go with the stamps for the design on the butterflies wing (Pearl Ex over VersaMark experiment-it worked!) and some other stamps and stencils from Julie Balzer and finished up with purple masking tape. It’s probably too busy but I can live with that.
Here’s another spread I just finished. I did the Balzer Designs stencil/spray resist on the torn paper (cardstock) a while ago and then had to decide how to use it. Always take into consideration whether your sprays will bleed if rewetted. The background started with graffiti in wet gesso, an acrylic wash and a dye spray heavy was that pooled and ran nicely. I adhered the strips using glue stick, tape, and my Tiny Attacher, leaving room behind for text and tags from Donna Downey. Stick-on letters from the office supply store!
Made this spread over the weekend. Loving me some Dylusions sprays and Balzer Designs stencils from Crafters Workshop! I’m not sure which page I like best; the left has some great color blends (and zipper stamp from Ma Vinci’s Reliquary) and the right has the cool ghosting technique from Dyan Reaveley’s blog. And my drawing of Great Gramma Nellie. She might still need some cool earrings…